Author

Tom Wagner

Observed name: Wagner, Thomas

Institution: Royal Holloway University of London

Observed institutions: Royal Holloway University of London, University of Manchester, Bedford College, University of Edinburgh

ORCID: 0000-0003-4789-8017

Observed ORCID: 0000-0003-4789-8017

OpenAlex ID: A5017461019

The evolution of Hillsong Music: From Australian Pentecostal congregation into global brand

2012 · Tanya Riches, Tom Wagner · Australian journal of communication · 43

Music, Branding, and Consumer Culture in Church

2019 · Tom Wagner · Routledge eBooks · 27

Hearing the Hillsong Sound: Music, Marketing, Meaning and Branded Spiritual Experience at a Transnational Megachurch

2014 · Tom Wagner · 22

The “Powerful” Hillsong Brand

2017 · Tom Wagner · Springer eBooks · 20

Branding, Music, and Religion: Standardization and adaptation in the experience of the “Hillsong Sound”

2014 · Tom Wagner · Edinburgh Research Explorer (University of Edinburgh) · 9

PDF

Christian Congregational Music:Performance, Identity and Experience

2013 · Landau, Carolyn, Ingalls, Monique, et al. · Research Portal (King's College London) · 9

Emerging Patterns of Participation in Virtual Live Concerts

2025 · Laryssa Whittaker, Tom Wagner · IASPM Journal · 6

PDF

Music as a mediated object, music as a medium: Towards a media ecological view of congregational music

2015 · Tom Wagner · 4

Fair Trade Music?: Ethical Consumerism and the Political Economy of Digital Music

2020 · Tom Wagner · Oxford University Press eBooks · 2

Charisma, Authority, and Innovation in Scientology’s “Golden Age” Narrative

2020 · Tom Wagner · Journal of Religion and Popular Culture · 2

No Other Name?

2015 · Tom Wagner · Journal of World Popular Music · 2

Music, Branding and the Hegemonic Prosumption of Values of an Evangelical Growth Church

2014 · Tom Wagner · BRILL eBooks · 2

PDF

Christianity, worship and popular music

2023 · Tom Wagner · Bloomsbury Publishing Plc eBooks · 1

‘Yet to Come’ or ‘Still to Be Done’?: Evangelical Worship and the Power of ‘Prophetic’ Songs

2016 · Anna E. Nekola, Tom Wagner · 1

The Dance + Pray Worship Experience in Finland: Negotiating the Transcendent and Transgressive in Search of Alternative Sensational Forms and Affective Space

2016 · Anna E. Nekola, Tom Wagner · 1

Prelude: Performing Theology, Forming Identity and Shaping Experience: Christian Congregational Music in Europe and North America

2016 · Monique M. Ingalls, Carolyn Landau, et al. · 1

Jazz sells: music marketing and meaning; Music in the marketplace: a social economics approach; Music and capitalism: a history of the present

2016 · Tom Wagner · Ethnomusicology Forum · 1

Music, media, evangelical protestantism

2015 · Tom Wagner · 1

Born to Groove

2010 · Tom Wagner · Yearbook for Traditional Music · 1

Music Artist Managers

2025 · Tom Wagner · IASPM Journal

PDF

‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology

2023 · Tom Wagner · Popular Music

PDF

The Oxford Handbook of Music and Advertising Siu-Lan Tan Ron Rodman

2022 · Tom Wagner · Music and Letters

Marianna Ritchey, Composing Capital: Classical Music in the Neoliberal Era (Chicago and London: University of Chicago Press, 2019), ISBN: 978-0-226-64006-8 (cloth), ISBN: 978-0-226-64023-5 (pb)

2021 · Tom Wagner · twentieth-century music

The ‘Hillsong Sound’

2019 · Tom Wagner · Routledge eBooks

In, but not of, the (Christian) culture industry

2019 · Tom Wagner · Routledge eBooks

Works count: 33

Citation count: 155

H-index: 6

I10-index: 4