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William J. Diebold
Observed names:
Diebold, William J.,
William Diebold,
William J Diebold
Institution:
Reed College
Observed institution:
Reed College
OpenAlex ID:
A5022538707
Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the Homilies of Gregory of Nazianzus
2000
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William J. Diebold
, Leslie Brubaker
·
The Art Bulletin
·
24
The Politics of Derestoration
1995
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William J. Diebold
·
Art Journal
·
20
The Nazi Middle Ages
2019
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William J. Diebold
·
Fordham University Press eBooks
·
17
The Ruler Portrait of Charles the Bald in the S. Paolo Bible
1994
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William J. Diebold
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The Art Bulletin
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12
Verbal, visual, and cultural literacy in medieval art: word and image in the Psalter of Charles the Bald
1992
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William J. Diebold
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Word & Image
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11
Word and Image: An Introduction to Early Medieval Art
2000
·
William J. Diebold
·
University of Michigan Library Repository
·
10
Medium as message in Carolingian writing about art
2006
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William J. Diebold
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Word & Image
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5
Nos quoque morem illius imitari cupientes
1993
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William J. Diebold
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Archiv für Kulturgeschichte
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5
Rejecting Gargoylism: Reflections on the term and its relationship to Hurler syndrome
2021
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Mary‐Alice Abbott
, William J. Diebold
, et al.
·
American Journal of Medical Genetics Part C Seminars in Medical Genetics
·
3
The Anxiety of Influence in Early Medieval Art: theCodex aureusof Charles the Bald in Ottonian Regensburg
2007
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William J. Diebold
·
Brepols Publishers eBooks
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2
Changing Perceptions of the Visual in the Middle Ages: Hucbald of St. Amand’s Carolingian Rewriting of Prudentius
2005
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William J. Diebold
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Utrecht studies in medieval literacy
·
2
The artistic patronage of Charles the Bald
1989
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William J. Diebold
·
University Microfilms International eBooks
·
2
For Lust of Knowing: Memoirs of an Intelligence Officer
1988
·
William Diebold
, Archie Roosevelt
·
Foreign Affairs
·
2
‘A living source of our civilization’. The exhibition Deutsche Groesse / Grandeur de l’Allemagne / Duitsche Grootheid in Brussels, 1942
2015
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William J. Diebold
·
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online
·
1
Exhibiting Ottonian Bishops in Modern Germany: The 1993 Bernward of Hildesheim and Egbert of Trier Exhibitions
2014
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William J. Diebold
·
Medieval church studies
·
1
The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts
2026
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William J. Diebold
·
Speculum
1 “These fragments I have shored against my ruins”: Medieval Art and Architecture as a Source of Redemption in Post–World War II Cologne
2025
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William Diebold
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Penn State University Press eBooks
Idols in Ottonian Fulda?
2024
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William J. Diebold
·
De Gruyter eBooks
“Wicked and Absurd”: A Surprising Paragone in Bernard of Angers’s Miracles of Sainte Foy
2024
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William J. Diebold
·
Brepols eBooks
Review: Richard Krautheimer in Deutschland: Aus den Anfängen einer wissenschaftlichen Karriere 1925–1933
2022
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William J. Diebold
·
Journal of the Society of Architectural Historians
A Multicultural Charlemagne for the 21st Century
2021
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William J. Diebold
·
BRILL eBooks
‘A fashionable sickness’: Paul Clemen on the early twentieth-century ‘preference for the Primitives’
2020
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William J. Diebold
·
Oud Holland - Journal for Art of the Low Countries
Cosmos and Community in Early Medieval Art, by Benjamin Anderson
2020
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William J. Diebold
·
The Art Bulletin
Eric M. Ramírez-Weaver, A Saving Science: Capturing the Heavens in Carolingian Manuscripts. University Park: Pennsylvania State University Press, 2017. Pp. xiv, 296; 17 color plates and many color and black-and-white figures. $89.95. ISBN: 978-0-271-07126-8.
2019
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William J. Diebold
·
Speculum
The Magdeburg Rider on Display in Modern Germany 1
2019
·
William J. Diebold
·
Routledge eBooks
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Works count:
40
Citation count:
117
H-index:
6
I10-index:
6
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