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Karen Fricker
Observed names:
Fricker, Karen,
Fricker, Karen 1966-,
Fricker, Karen Paula
Institution:
Brock University
Observed institutions:
Royal Holloway University of London,
Brock University
OpenAlex ID:
A5025622332
Performing the ‘new’ Europe : identities, feelings and politics in the Eurovision Song Contest
2013
·
Karen Fricker
, Milija Gluhovic
·
36
Performing the 'New' Europe
2013
·
Karen Fricker
, Milija Gluhovic
·
Palgrave Macmillan UK eBooks
·
26
Performing the queer network. Fans and families at the Eurovision Song Contest, 12–24.
2007
·
Brian Singleton
, Karen Fricker
, et al.
·
SQS – Suomen Queer-tutkimuksen Seuran lehti
·
20
‘It’s Just Not Funny Any More’: Terry Wogan, Melancholy Britain, and the Eurovision Song Contest
2013
·
Karen Fricker
·
Palgrave Macmillan UK eBooks
·
16
Introduction: Eurovision and the ‘New’ Europe
2013
·
Karen Fricker
, Milija Gluhovic
·
Palgrave Macmillan UK eBooks
·
7
Tourism, The Festival Marketplace and Robert Lepage’sThe Seven Streams of the River Ota
2003
·
Karen Fricker
·
Contemporary Theatre Review
·
6
Robert Lepage’s original stage productions
2020
·
Karen Fricker
·
Manchester University Press eBooks
·
5
À l’heure zéro de la culture (dés)unie. Problèmes de représentation dans Zulu Time de Robert Lepage et Ex Machina
2011
·
Karen Fricker
, Rémy Charest
·
Globe Revue internationale d’études québécoises
·
5
PDF
‘Quality TV’ On Show
2007
·
Karen Fricker
·
5
The Futures of Theatre Criticism
2015
·
Karen Fricker
·
Canadian Theatre Review
·
4
Cultural relativism and grounded politics in Robert Lepage'sThe Andersen Project
2007
·
Karen Fricker
·
Contemporary Theatre Review
·
3
Same Old Show: The Performance of Masculinity in Conor McPherson's "Port Authority" and Mark O'Rowe's "Made in China"
2002
·
Karen Fricker
·
The Irish Review (1986-)
·
3
“Somewhere between Science and Legend”:
2017
·
Karen Fricker
·
McGill-Queen's University Press eBooks
·
2
Going Inside: The New-Old Practice of Embedded Criticism
2016
·
Karen Fricker
·
Canadian Theatre Review
·
2
Blogging
2015
·
Karen Fricker
·
Contemporary Theatre Review
·
2
Creating the space of truth in the make-believe world of the theatre: An interview with Peter Sellars
2014
·
Karen Fricker
·
Journal of Adaptation in Film & Performance
·
2
‘The Song Contest Is a Battlefield’: Panel Discussion with Eurovision Song Contest Broadcasters, 18 February 2011
2013
·
Karen Fricker
, Milija Gluhovic
·
Palgrave Macmillan UK eBooks
·
2
Le goût du risque : KÀ de Robert Lepage et du Cirque du Soleil
2010
·
Karen Fricker
·
L’Annuaire théâtral Revue québécoise d’études théâtrales
·
2
The globalisation of Robert Lepage : Québécois cultural politics and contemporary theatre practice
2005
·
Karen Fricker
·
Arrow@dit (Dublin Institute of Technology)
·
2
The Emancipated Amateur: Rancierian Reviewing Practices and New Models of Theatre Criticism
2024
·
Karen Fricker
, Michelle MacArthur
·
Theatre Research in Canada
·
1
Methodologies in Circus Scholarship
2021
·
Charles R. Batson
, Karen Fricker
·
Cambridge University Press eBooks
·
1
Introduction: Circus and Its Others
2018
·
Karen Fricker
, Hayley Malouin
·
Performance Matters
·
1
PDF
“The Simple Question of Ireland”: La Reine de beauté de Leenane in Montreal1
2014
·
Karen Fricker
·
Theatre Research in Canada
·
1
Le Québec, « société d’Amérique » selon Robert Lepage
2005
·
Karen Fricker
·
Érudit (Université de Montréal)
·
1
More from London's East End
1991
·
Karen Fricker
·
TDR/The Drama Review
·
1
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Works count:
55
Citation count:
157
H-index:
6
I10-index:
4
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