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Author

William Carroll

ORCID: 0000-0003-1066-126X
Observed ORCID: 0000-0003-1066-126X
OpenAlex ID: A5033609525
To see or not to see: Historical trauma and the production of fear in contemporary South Korean horror cinema
2023 · William Carroll · Asian Cinema · 1
6 Farewell to Joy and Sorrow: Revisiting Kinoshita’s “Chaotic” Period
2025 · William Carroll · Edinburgh University Press eBooks
9 The Lights That Raised Up a Storm: Neon and the Nikkatsu Action Color Film, 1957–1963
2024 · William Carroll · Rutgers University Press eBooks
3. Postwar Japanese Genre Filmmaking and the Nikkatsu Action Sylistic Idiom
2022 · William Carroll · Columbia University Press eBooks
Acknowledgments
2022 · William Carroll · Columbia University Press eBooks
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Suzuki Seijun and Postwar Japanese Cinema
2022 · William Carroll · Columbia University Press eBooks
Transnational Film in East Asia
2022 · William Carroll · Oxford Research Encyclopedia of Asian History
Composite Corpses and Viruses of Viewing
2021 · William Carroll
‘I don’t masturbate, I fight!’: the Spectre of Kita Ikki in Suzuki Seijun's Kenka Ereji (Fighting Elegy, 1966)
2018 · William Carroll · Journal of Japanese and Korean Cinema
Works count: 9
Citation count: 1
H-index: 1
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