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Soo Hwan Ahn
Observed name:
Ahn, Soo Hwan
Institution:
Dankook University
Observed institutions:
Ajou University,
Dankook University
ORCID:
0009-0003-1718-3827
Observed ORCID:
0009-0003-1718-3827
OpenAlex ID:
A5034630224
Comparison of Pentax Airway Scope and Macintosh laryngoscope for orotracheal intubation in children: A randomised non‐inferiority trial
2019
·
In Kyong Yi
, Hyun Jeong Kwak
, et al.
·
Acta Anaesthesiologica Scandinavica
·
10
Redefining the symphony: a cross-disciplinary study in the Korean context
2026
·
Lee, Hanna
, Ahn, Soo Hwan
·
Figshare
Redefining the symphony: a cross-disciplinary study in the Korean context
2026
·
Hanna Lee
, Soo Hwan Ahn
·
Cogent Arts and Humanities
PDF
Musical narratives in The Last Emperor: The power of leitmotifs and traditional Chinese instruments in storytelling
2025
·
Fu Yu
, Soo Hwan Ahn
·
rast müzikoloji dergisi
PDF
Divinity and Humanity Coexisting in Minari : Interactions between Multimedia in Film
2021
·
Soo Hwan Ahn
·
Journal of the Musicological Society of Korea
Opposition as a Hermeneutic Cue as Seen in Films, Green Book, Parasite, and The Two Popes
2021
·
Soo Hwan Ahn
·
Journal of the Musicological Society of Korea
The Association of Auditive and Visual Meanings in
2021
·
Soo Hwan Ahn
·
The Journal of the Korea Contents Association
Handling of the Leitmotif as Seen in Films : Batman, Dark Knight, and Joker
2020
·
Soo Hwan Ahn
·
Journal of the Musicological Society of Korea
영화 『배트맨』, 『다크나이트』, 『조커』에서 유도동기의 활용
2020
·
Soo Hwan Ahn
Exploring the Locus of Film Music Using Phase Correlation Coefficients and Goniometers in Godfather 3, 007: Quantum of Solace, and Mission Impossible 5: Rogue Nation
2019
·
Soo Hwan Ahn
·
Music Theory Forum
위상상관계수와 고니오미터를 활용한 영화음악의 위치성 탐구 -『대부3』, 『007: 퀸텀 오브 솔라스』, 『미션임파서블 5: 로그네이션』을 중심으로
2019
·
Soo Hwan Ahn
Reconsidering the Locus of Film Music: Diegesis, Non-Diegesis, and In-between Spaces
2019
·
Soo Hwan Ahn
·
Music Theory Forum
Revisiting a Korean Film Assassination through Juan Chattah’s Metaphoric Models: Focusing on Scenes Adopting Dvorak’s Humoresque and New World and Schumann’s Traumerei
2018
·
Soo Hwan Ahn
·
Music Theory Forum
≪메피스토 왈츠≫에 반영된 에로티시즘과 악마주의: 레나우, 리스트, 골드스미스
2017
·
Soo Hwan Ahn
, Moo Kyoung Song
Eroticism and Diabolism Reflected on Mephisto Waltz : Lenau, Liszt, and Goldsmith
2017
·
Soo Hwan Ahn
, Moo Kyoung Song
·
Journal of the Musicological Society of Korea
영화 ≪킹스 스피치≫에 나타나는 베토벤 『7번 교향곡』 제2악장의 유기적ㆍ암시적 기능
2017
·
Soo Hwan Ahn
, Moo Kyoung Song
Metropolis: music score for the film directed by Fritz Lang
2017
·
Soo Hwan Ahn
·
University of Huddersfield Repository (University of Huddersfield)
PDF
Organic and Allusive Function of the Second Movement of Beethoven’s Seventh Symphony in The King’s Speech
2017
·
Soo Hwan Ahn
, Moo Kyoung Song
·
Journal of the Musicological Society of Korea
Metropolis : music score for the film directed by Fritz Lang ; Scoring Metropolis : the development of my compositional practice
2017
·
Soo Hwan Ahn
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Works count:
19
Citation count:
10
H-index:
1
I10-index:
1
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