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Sanna Raninen
Observed names:
Raninen, Sanna,
SANNA RANINEN
Observed institutions:
University of London,
Warburg Institute
ORCID:
0000-0001-7209-8834
Observed ORCID:
0000-0001-7209-8834
OpenAlex ID:
A5035720588
Production and reading of printed sources of polyphony in the early sixteenth century
2017
·
Sanna Raninen
·
Research Explorer (The University of Manchester)
·
22
The Early History of Printed Folio Choirbooks: : Production and Layout
2018
·
Sanna Raninen
·
21
No Country for Old Men?
2023
·
Sanna Raninen
·
Routledge eBooks
·
6
Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden
2020
·
Sanna Raninen
·
De Gruyter eBooks
·
1
PDF
The Musical, Material and Social Networks of Swedish Clergy in the Early Seventeenth Century: A Case Study of Manuscript S 110 from the National Library of Sweden
2024
·
Sanna Raninen
·
BRILL eBooks
Music, notation, and embodiment in early sixteenth-century Italian pictures
2022
·
Tim Shephard
, Sanna Raninen
·
Routledge eBooks
PDF
Owen Rees, The Requiem of Tomás Luis de Victoria (1603). Cambridge: Cambridge University Press, 2019. xiv + 262 pp. £75. ISBN 978 1 107 05442 4.
2021
·
SANNA RANINEN
·
Plainsong and Medieval Music
The call of the North
2019
·
Sanna Raninen
·
Early Music
The Songbooks of Peter Schöffer the Younger and Arnt Von Aich: a Typographical Assessment
2019
·
Grantley McDonald
, Sanna Raninen
·
Hollitzer Verlag eBooks
Celebrating Lutheran music
2017
·
Sanna Raninen
·
Early Music
The Production and Reading of Music Sources (PRoMS): Mise-en-page in manuscripts and prints containing polyphonic music, 1480-1530
2017
·
Thomas Larsen Schmidt
, Christian Thomas Leitmeir
, et al.
Contrafactum in Central European manuscripts : Case studies from Trent 90
2010
·
Raninen, Sanna
·
Enlighten: Theses (The University of Glasgow)
PDF
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Works count:
13
Citation count:
51
H-index:
3
I10-index:
2
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