Author

Zhennuo Song

Observed name: SONG, ZHENNUO

Institution: Zhejiang Wanli University

Observed institutions: Zhejiang Wanli University, University of Nottingham Ningbo China

ORCID: 0000-0003-1053-7816

Observed ORCID: 0000-0003-1053-7816

OpenAlex ID: A5037791016

A phenomenology study of transmedia museum storytelling and gamification through XR technologies

2025 · Zhennuo Song, Thomas William Whyke, et al. · Digital Applications in Archaeology and Cultural Heritage · 15

Immersion as Convergence: How Storytelling, Interaction, and Sensory Design Co-Produce Museum Virtual Reality Experiences

2026 · Zhennuo Song, Leighton Evans · Information · 4

Cultural overflow vs. cultural export: Black Myth: Wukong and the evolution of Chinese gaming in global creative industries

2025 · Aiqing Wang, Thomas William Whyke, et al. · Creative Industries Journal · 3

Platformised Justice and the Cultural Politics of Consent: Digital Vigilantism in Chinese Sex-Crime Disputes

2026 · Yibo Fan, Zhennuo Song, et al. · Australian Feminist Studies · 1

Can the farmers speak? The paradox of the subaltern narrative in Return to Dust

2024 · Aiqing Wang, Thomas William Whyke, et al. · Journal of Chinese Cinemas · 1

When AI listens but also refuses: conditional recognition in AI-mediated disclosure among male survivors of child sexual abuse in China

2026 · Yibo Fan, Zhennuo Song, et al. · Journal of Sexual Aggression

Care across spaces: Chinese displaced artefacts in the British Museum and social media platforms

2026 · Zhennuo Song, Zhaoyu Zhu, et al. · Cultural Trends

Linguistic Performance and Feminist Resistance: Exploring Digital Identity and Gender Fluidity in the Yu-C Community

2025 · Xinfei Yu, Yibo Fan, et al. · Australian Feminist Studies

How Do XR Technologies Remediate Museum Curatorial Practices and User Experience?

2024 · SONG, ZHENNUO · Cronfa (Swansea University)

Works count: 10

Citation count: 25

H-index: 3

I10-index: 1