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Laura Zattra
Observed names:
LAURA ZATTRA,
Zattra, Laura,
Zattra, Laura 1973-
Institution:
Institut de Recherche et Coordination Acoustique Musique
Observed institutions:
University of Padua,
Institut de Recherche et Coordination Acoustique Musique,
Conservatorio di Musica "G.B. Martini",
Sciences et Technologies de la Musique et du Son
ORCID:
0000-0002-2425-7367
Observed ORCID:
0000-0002-2425-7367
OpenAlex ID:
A5044806951
The Assembling of Stria by John Chowning: A Philological Investigation
2007
·
Laura Zattra
·
Computer Music Journal
·
31
The Identity of the Work: agents and processes of electroacoustic music
2006
·
LAURA ZATTRA
·
Organised Sound
·
14
A questionnaire-based investigation of the skills and roles of Computer Music Designers
2016
·
Laura Zattra
, Nicolas Donin
·
Musicae Scientiae
·
13
Les origines du nom de RIM (Réalisateur en informatique musicale)
2013
·
Zattra, Laura
·
HAL
·
9
Yesterday Sounds Tomorrow. Preservation at CSC
2001
·
Laura Zattra
, Giovanni De Poli
, et al.
·
Journal of New Music Research
·
9
Studying Luigi Nono'sA Pierre. Dell'azzurro silenzio, inquietum(1985) as a Performance Event
2011
·
Laura Zattra
, Ian Burleigh
, et al.
·
Contemporary Music Review
·
6
Audio Matching for the Philological Analysis of Electroacoustic Music
2007
·
Orio, Nicola
, Zattra, Laura
·
HAL
·
6
Searching for lost data: outlines of aesthesic–poietic analysis
2004
·
LAURA ZATTRA
·
Organised Sound
·
6
Symmetrical Collaborations. Jonathan Harvey and his computer music designers
2019
·
Laura Zattra
·
Nuove musiche
·
3
Alvise Vidolin interviewed by Laura Zattra
2017
·
Laura Zattra
·
Routledge eBooks
·
3
Collaborating on composition
2017
·
Laura Zattra
·
Routledge eBooks
·
3
The critical editing of computer music
2006
·
Laura Zattra
·
3
Computer Music Analysis Via A Multidisciplinary Approach
2005
·
Nucibella, Francesca
, Porcelluzzi, Savino
, et al.
·
Zenodo (CERN European Organization for Nuclear Research)
·
3
Science et technologie comme sources d'inspiration au CSC de Padoue et à l'IRCAM de Paris
2003
·
Laura Zattra
·
3
Teresa Rampazzi: Pioneer of Italian Electronic Music
2003
·
Laura Zattra
·
3
Collaborative Creation in Electroacoustic Music: Practices and Self-Awareness in the Work of Musical Assistants Marino Zuccheri, Alvise Vidolin, and Carl Faia
2021
·
Laura Zattra
·
Leuven University Press eBooks
·
1
Sound Design as Viewed by Sound Designers
2021
·
Laura Zattra
, Nicolas Donin
, et al.
·
Focal Press eBooks
·
1
Electronic Inspirations : Technologies of the Cold War Musical Avant-Garde, by Jennifer Iverson
2021
·
Laura Zattra
·
Journal of the American Musicological Society
·
1
Taras su tre dimensioni by Teresa Rampazzi: Documenting the Creative Process
2020
·
Laura Zattra
·
The MIT Press eBooks
·
1
Analysis of Sound Design Practices [ASDP]. Research Methodology
2018
·
Zattra, Laura
, Misdariis, Nicolas
, et al.
·
HAL
·
1
Hugues Dufourt, La musique spectrale. Une révolution épistémologique (Paris: Éditions Delatour, 2014), ISBN 978-2-7521-0206-5 (pb).
2018
·
LAURA ZATTRA
·
twentieth-century music
·
1
Points of Time, Points in Time, Points in Space. Agostino Di Scipio's Early Works (1987–2000)
2014
·
Laura Zattra
·
Contemporary Music Review
·
1
L’Ircam et le CCRMA : une histoire partagée
2025
·
Féron, François-Xavier
, Zattra, Laura
·
HAL
(Re)penser le concept de recherche musicale : Boulez et la création de l’Ircam
2025
·
Féron, François-Xavier
, Zattra, Laura
·
HAL
“Recitativo for Tape (1961) by Camillo Togni: Tracking the Creative Process for His Only Work of Electronic Music”
2025
·
Zattra, Laura
·
HAL
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Works count:
66
Citation count:
129
H-index:
6
I10-index:
3
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