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Ian Tan
Institutions:
Nanyang Technological University,
National Institute of Education
Observed institutions:
Nanyang Technological University,
National Institute of Education,
Raffles Institution,
University of Warwick
ORCID:
0000-0003-2268-2105
Observed ORCID:
0000-0003-2268-2105
OpenAlex ID:
A5050748984
Wallace Stevens and Martin Heidegger: Poetry as Appropriative Proximity
2022
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Ian Tan
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American literature readings in the 21st century
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3
Understanding Barbara Kingsolver
2024
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Ian Tan
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University of South Carolina Press eBooks
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2
A Rending and a Raising: Ecstatic Religiosity and Textual Renewal in J. M. Coetzee's Jesus Trilogy
2023
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Ian Tan
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Poetics Today
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2
Prosthetic Memory and Textual Inheritance: Reading Nicole Krauss’s The History of Love with Bernard Stiegler
2024
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Ian Tan
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ANQ A Quarterly Journal of Short Articles Notes and Reviews
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1
Speaking (from) out of tradition: hermeneutics, literary style and the task of textual interpretation in J. M. Coetzee’s Elizabeth Costello (2003) and Julian Barnes’s Elizabeth Finch (2022)
2024
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Ian Tan
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Textual Practice
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1
The Claim of Ethics: Language and the Other(ness) of the Subject in Emmanuel Levinas and Jacques Lacan
2023
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Ian Tan
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Comparative and Continental Philosophy
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1
Ereignis and the Grounding of Interpretation: Toward a Heideggerian Reading of Translation and Translatability as Appropriative Event
2022
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Ian Tan
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Comparative and Continental Philosophy
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1
Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent
2022
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Ian Tan
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Critique Studies in Contemporary Fiction
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1
Resistance in Dis-Ability: Terrence Malick’s a Hidden Life and the Fragility of Phenomenological Worldhood
2021
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Ian Tan
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Quarterly Review of Film and Video
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1
Refining Themselves into Existence: Reading Portrait with Terence Davies’ Filmic Portraiture
2021
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Ian Tan
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Neophilologus
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1
No Saving Fictions of Masculinity: Subverting the Epistemic Will in Graham Swift’s Shuttlecock
2021
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Ian Tan
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English Studies
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1
To Sound and to Absorb: Art, Solipsism and the Problem of Mediation in John Banville’sthe Blue Guitarand Wallace Stevens’ “The Man with the Blue Guitar”
2020
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Ian Tan
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Critique Studies in Contemporary Fiction
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1
Towards a recasting of forms: the cinematic experience of/in epic theatre in Sokurov’s Alexandra and Tarr’s The Turin Horse
2017
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Ian Tan
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Studies in European Cinema
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1
Paternal election and the time of the Other in Jean-Pierre and Luc Dardenne’s Le Fils : Levinasian ethics and the question of traumatic encounter
2026
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Ian Tan
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French Screen Studies
Authorial control, multiple worlds, and the situationality of truth: the logic of fiction in Flann O’Brien’s At Swim-Two-Birds and John Banville’s The Singularities
2026
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Ian Tan
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Irish Studies Review
After Apocalyptic Closure, a New Beginning: The Poetics of Worldly Dis-Appearance in Cormac McCarthy’s The Road as Heideggerian Religious Allegory
2026
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Ian Tan
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The Cormac McCarthy Journal
Editor’s introduction
2026
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Ian Tan
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Asia Pacific Journal of Education
Crisis and Continuity: Ian McEwan’s Lessons and the Transcendental Question of the Lifeworld
2026
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Ian Tan
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Springer eBooks
The Birth of Tragedy in Nietzsche and Stevens: Ideas of Order and Disintegration in "The Auroras of Autumn"
2025
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Ian Tan
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The Wallace Stevens journal
PDF
The Modalities of a Post-Image Future: Metaphysical Crisis and Philosophical Cinematics in Don DeLillo’s Point Omega
2025
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Ian Tan
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Modern fiction studies
PDF
Pedagogical prosthesis and vertical address: visuality and hortatory conversion as technics of self in Martin Heidegger, Bernard Stiegler, and Peter Sloterdijk
2025
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Ian Tan
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Asia Pacific Journal of Education
The Contemporary Novel’s Containment of Multitudes: Poetic Citation and Intertextual Framing in Ian McEwan’s Saturday and Michael Cunningham’s Specimen Days
2025
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Ian Tan
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College literature
Literary Phenomenology and the Historicity of the Lifeworld: Personal and Public Crisis in Edmund Husserl and Ian McEwan
2025
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Ian Tan
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Texas Studies in Literature & Language
Negative Hermeneutics and the Question of Practice
2025
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Ian Tan
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Journal of Aesthetics and Phenomenology
The Pressure of Poetic Form: Global Image and the Limits of Synchronicity in Peter Sloterdijk's and A. R. Ammons's "Spheres"
2025
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Ian Tan
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symplokē
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Works count:
47
Citation count:
17
H-index:
2
I10-index:
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