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Olivier J. Tchouaffe

Observed names: Jean Olivier Tchouaffe, Jean Olivier Tchouaffé, Jean-Olivier Tchouaffe, Olivier Jean Tchouaffe, Olivier Jean Tchouaffé, Olivier Jean. Tchouaffé, Olivier Tchouaffe, Olivier-Jean Tchouaffe
ORCID: 0000-0002-3749-2681
Observed ORCID: 0000-0002-3749-2681
OpenAlex ID: A5069919216
Radio France Internationale
2012 · Olivier J. Tchouaffe · The International Encyclopedia of Communication · 22
Women in Film in Cameroon: Thérèse Sita-Bella, Florence Ayisi, Oswalde Lewat and Josephine Ndagnou
2012 · Olivier Jean Tchouaffé · Journal of African Cinemas · 6
Rituals of Illumination and Elective Affinity in Idrissa Ouedraogo’s Cinematic Legacy
2018 · Olivier-Jean Tchouaffe · African Studies Review · 2
Passion of the Reel: Cinematic versus Modernist Political Fictions in Cameroon
2014 · Jean Olivier Tchouaffé · 2
The colonial library and productive futurity in Jean-Pierre Bekolo’s Mudimbe’s Things and Words (2015)
2024 · Olivier J. Tchouaffe · Journal of African Cinemas · 1
Clemente Bicocchi, director. Black Africa, White Marbles. 2011. 77 minutes. U.S./Republic of Congo/Italy. Icarus Film. $398.00.
2015 · Olivier Tchouaffe · African Studies Review · 1
Between the Sublime and the Subliminal: Economic Modernity, Desire, and Political Fictions in Cameroon
2014 · Olivier J. Tchouaffe · Palgrave Macmillan US eBooks · 1
Reframing African cinema and democracy: the case of Cameroon
2009 · Jean Olivier Tchouaffé · Journal of African Cinemas · 1
A literary characterization of politics and power in the post-colony
2020 · Olivier Tchouaffe · Routledge eBooks
Until the Birds Return dir. by Karim Moussaoui (review)
2019 · Olivier J. Tchouaffe · African Studies Review
Karim Moussaoui, dir. Until the Birds Return. 2017. Original title: En Attendant les Hirondelles. 113 minutes. Arabic/French. Production: Les Films Pelléas and Arte (France); Niko (Germany); and Prolégomènes (Algeria). French distribution: Ad Vitam (France). International distribution: MK2 Films. No Price Reported.
2018 · Olivier Tchouaffe · African Studies Review
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From Saartjie to Queen Bey: Black Female Artists and the Global Cultural Industry
2018 · Olivier J. Tchouaffe · African histories and modernities
Book Reviews
2017 · Keyan Tomaselli, Jean-Olivier Tchouaffe · Journal of African Cinemas
Perspectives on new popular African cinema, history and creative destruction in Viva Riva! (2011)
2016 · Olivier J. Tchouaffe · Journal of African Cinemas
Nationalist African Cinema: Legacy and Transformations by Sada Niang (review)
2015 · Jean-Olivier Tchouaffe · Cinema Journal
Between the Sublime and the Subliminal
2014 · Olivier J. Tchouaffe · Palgrave Macmillan eBooks
Passion of the Reel
2014 · Jean Olivier Tchouaffe · Intellect Books
An African's View of the Aftermath of Copenhagen's Climate Change Conference
2013 · Olivier J. Tchouaffe · Routledge eBooks
Sankara, Edgard. Postcolonial Francophone Autobiographies: From Africa to the Antilles. Charlottesville: U of Virginia P, 2011.
2012 · Olivier J. Tchouaffe · Reception Texts Readers Audiences History
Colonial Visual Archives and the Anti-Documentary Perspective in Africa
2010 · Olivier J. Tchouaffe · Journal of Information Ethics
The Whole Equation: A History of Hollywood (review)
2007 · Olivier Jean. Tchouaffé · The Velvet Light Trap
Cameroonian Cinema and the films of Jean-Marie Teno : reflexion on archives, postcolonial fever and new forms of cinematic protest
2006 · Olivier J. Tchouaffe · Texas ScholarWorks (Texas Digital Library)
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We Won't Budge: An African Exile in the World (review)
2005 · Olivier Jean Tchouaffe · The Velvet Light Trap
Works count: 23
Citation count: 36
H-index: 2
I10-index: 1
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