Author

Janette Tilley

Institution: Douglas College

Observed institutions: Lehman College, City University of New York, Douglas College

ORCID: 0009-0007-9728-1580

Observed ORCID: 0009-0007-9728-1580

OpenAlex ID: A5082809916

Learning From Lazarus: the Seventeenth-century Lutheran Art of Dying

2009 · Janette Tilley · Early Music History · 26

Scaffolding the Learning Opportunities: Academic Integrity at Douglas College

2021 · Holly Salmon, Janette Tilley · Canadian Perspectives on Academic Integrity · 2

Automation, Creativity, and Ethics: Re-framing Academic Integrity in the Training of Music Technology Professionals

2025 · Hazel Fairbairn, Janette Tilley · Ethics and integrity in educational contexts · 1

Gospel settings in seventeenth-century Lutheran Germany : meditation in the service of musical homiletics

2017 · Janette Tilley · Schütz-Jahrbuch · 1

Leipzig Church Music from the Sherard Collection: Eight Works by Sebastian Knüpfer, Johann Schelle, and Johann Kuhnau ed. by Stephen Rose (review)

2016 · Janette Tilley · Notes · 1

Lobsingende Hertzens-Andacht über die Evangelia (1656/1657): Kritische Ausgabe und Kommentar Kritische Edition des Notentextes

2026 · Janette Tilley · Renaissance Quarterly

German Nuptial Music in the Seventeenth Century: Sound in Service of the Sacred

2023 · Janette Tilley · BRILL eBooks

: “Teutsche Liedlein” des 16. Jahrhunderts

2020 · Janette Tilley · Renaissance Quarterly

: “Weil es ein Zierlich vnd lieblich ja Nobilitiert Instrument ist”: Der Resonanzraum der Laute und die musikalische Repräsentation am Wolfenbütteler Herzogshof 1580–1625

2019 · Janette Tilley · Renaissance Quarterly

Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria. By Alexander J. Fisher. Oxford: Oxford University Press, 2014. Pp. xvi + 359. Cloth $55.00. ISBN 978-0199764648.

2015 · Janette Tilley · Central European History

Representations of Gender in Barbara Pentland's Disasters of the Sun

2013 · Janette Tilley · Canadian University Music Review

Geistlicher Dialogen Ander Theil : including a setting of Martin Opitz's Salomons des Hebreischen Königes Hohes Liedt

2008 · Andreas Hammerschmidt, Martin Opitz, et al. · A-R Editions eBooks

David Yearsley, Bach and the Meanings of Counterpoint. New Perspectives in Music History and Criticism, ed. Jeffrey Kallberg, Anthony Newcomb and Ruth Solie. Cambridge: Cambridge University Press, 2002. xvi. 257 pp. Plates, musical examples, notes, bibliography, and index. ISBN 0-521-80346-2 (hardcover)

2004 · Janette Tilley · Canadian University Music Review

Works count: 13

Citation count: 31

H-index: 2

I10-index: 1