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Paul Frosh
Observed names:
Frosh, Paul,
Frosh, Paul 1965-,
PAUL FROSH
Observed institutions:
University of Helsinki,
Hebrew University of Jerusalem
ORCID:
0000-0002-4813-074X
Observed ORCID:
0000-0002-4813-074X
OpenAlex ID:
A5089098011
Works
68
Awards
3
Media Witnessing
2009
·
Paul Frosh
, Amit Pinchevski
·
Palgrave Macmillan UK eBooks
·
201
Covering Death in Conflicts: Coverage of the Second Intifada on Israeli and Palestinian Television
2008
·
Gadi Wolfsfeld
, Paul Frosh
, et al.
·
Journal of Peace Research
·
119
Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability
2015
·
Paul Frosh
·
International journal of communication
·
109
PDF
Telling Presences: Witnessing, Mass Media, and the Imagined Lives of Strangers
2006
·
Paul Frosh
·
Critical Studies in Media Communication
·
96
Reviving icons to death: when historic photographs become digital memes
2017
·
Sandrine Boudana
, Paul Frosh
, et al.
·
Media Culture & Society
·
93
Introduction
2009
·
Paul Frosh
, Amit Pinchevski
·
Palgrave Macmillan UK eBooks
·
79
Inside the image factory: stock photography and cultural production
2001
·
Paul Frosh
·
Media Culture & Society
·
78
ImagiNation: news discourse, nationhood and civil society
2007
·
Paul Frosh
, Gadi Wolfsfeld
·
Media Culture & Society
·
69
The Public Eye and the Citizen-Voyeur: Photography as a Performance of Power
2001
·
Paul Frosh
·
Social Semiotics
·
59
The mouse, the screen and the Holocaust witness: Interface aesthetics and moral response
2016
·
Paul Frosh
·
New Media & Society
·
56
Media witnessing and the ripeness of time
2014
·
Paul Frosh
, Amit Pinchevski
·
Cultural Studies
·
54
Telling Presences: Witnessing, Mass Media, and the Imagined Lives of Strangers
2009
·
Paul Frosh
·
Palgrave Macmillan UK eBooks
·
39
Media and events after Media Events
2017
·
Paul Frosh
, Amit Pinchevski
·
Media Culture & Society
·
35
Crisis-Readiness and Media Witnessing
2009
·
Paul Frosh
, Amit Pinchevski
·
The Communication Review
·
35
The Image Factory: Consumer Culture, Photography and the Visual Content Industry
2003
·
Paul Frosh
·
33
From user-generated content to a user-generated aesthetic: Instagram, corporate vernacularization, and the intimate life of brands
2022
·
Liron Simatzkin-Ohana
, Paul Frosh
·
Media Culture & Society
·
32
You Must Remember This: Iconic News Photographs and Collective Memory
2018
·
Akiba A Cohen
, Sandrine Boudana
, et al.
·
Journal of Communication
·
32
Covid-19: The cultural constructions of a global crisis
2022
·
Paul Frosh
, Myria Georgiou
·
International Journal of Cultural Studies
·
31
PDF
The “algorithmic as if ”: Computational resurrection and the animation of the dead in Deep Nostalgia
2023
·
Sara Kopelman
, Paul Frosh
·
New Media & Society
·
30
Phatic morality: Television and proper distance
2011
·
Paul Frosh
·
International Journal of Cultural Studies
·
30
To thine own self be true: The discourse of authenticity in mass cultural production
2001
·
Paul Frosh
·
The Communication Review
·
28
The expression of values on social media: An analytical framework
2025
·
Limor Shifman
, Tommaso Trillò
, et al.
·
New Media & Society
·
26
Rhetorics of the Overlooked: On the communicative modes of stock advertising images
2002
·
Paul Frosh
·
Journal of Consumer Culture
·
25
What Does #Freedom Look Like? Instagram and the Visual Imagination of Values
2021
·
Tommaso Trillò
, Rebecca Scharlach
, et al.
·
Journal of Communication
·
23
PDF
Is Commercial Photography a Public Evil? Beyond the Critique of Stock Photography
2020
·
Paul Frosh
·
Routledge eBooks
·
23
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Works count:
68
Citation count:
1,632
H-index:
24
I10-index:
34
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