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Africa Open Institute for Music, Research and Innovation
Homepage:
aoinstitute.ac.za
ROR:
03ag7kt92
OpenAlex ID:
I4405266489
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African OriginsGarcia, David F (2017). Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins . ISBN 978-0-8223-6370-5. Durham, NC: Duke University Press. xii, 376 pp. Illustrations, bibliography, index. <www.dukeupress.edu> $27.95.
2018
·
Claudia Jansen van Rensburg
·
Journal of Musical Arts in Africa
·
92
Validity and reliability of the Musicians’ Health Literacy Questionnaire, MHL-Q19
2022
·
Christine Guptill
, Teri Slade
, et al.
·
Frontiers in Psychology
·
20
PDF
‘Our songs were our stones’: song and struggle in the treatment action campaign
2018
·
Gavin Robert Walker
·
Journal of Contemporary African Studies
·
10
The becoming of an archive: perspectives on a music archive and the limits of institutionality
2020
·
Lizabé Lambrechts
·
Social Dynamics
·
4
After Fame: A Micro-Ethnography of Popular Late Style
2017
·
Willemien Froneman
·
Popular Music & Society
·
4
An African Festivity for Flute: sensing diversity, creolisation and knowledge through sound
2017
·
Marietjie Pauw
·
Journal of Musical Arts in Africa
·
4
‘Barrister is Fújì and Fújì is Barrister’: Fújì music, self-making and the politics of genre-making in Lagos, Nigeria
2023
·
Oladele Ayorinde
·
Ethnomusicology Forum
·
2
The ears of apartheid
2023
·
Willemien Froneman
·
Social Dynamics
·
2
Editing for change: From global bibliometrics to a decolonial aporetics of form in South African journal publishing
2022
·
Willemien Froneman
, Stephanus Muller
·
Transformation in Higher Education
·
2
PDF
“Little man you’ve had a busy day”: Music in the onstage and offstage lives of “Master Harold”
2020
·
Paula Fourie
·
The Journal of Commonwealth Literature
·
2
African music, power, and being in colonial Zimbabwe
2017
·
Gavin Robert Walker
·
Ethnomusicology Forum
·
2
“Can’t keep streaming folks, I’m dying”: witnessing a layered revolt in Mozambique
2025
·
Janne Rantala
·
Safundi
·
1
Writing against the chain transmission of fear: Reflections on institutionalised ethics
2024
·
Mieke Struwig
·
Qualitative Research
·
1
The Groovology of White Affect: Boeremusiek and the Enregisterment of Race in South Africa
2024
·
Willemien Froneman
·
Springer eBooks
·
1
Introducing herri (www.herri.org.za)
2022
·
Aryan Kaganof
·
1
PDF
‘The echo chambers of cyberspace’: the meaning and consequences of reconsidering the digital Michael Mosoeu Moerane Critical Edition as an archive
2021
·
Marc Anton Röntsch
·
Journal of Musical Arts in Africa
·
1
Parading Respectability: The Cultural and Moral Aesthetics of the Christmas Bands Movement in the Western Cape, South Africa
2019
·
Paula Fourie
·
Journal of Musical Arts in Africa
·
1
Erlmann, Veit. Lion's share: remaking South African copyright. 386 pp., bibliogr. Durham, N.C.: Duke University Press, 2022. £29.95 (paper)
2026
·
Christine Lucia
·
Journal of the Royal Anthropological Institute
Imitation – Translation – Notation: Music, Cultural Transformation and the Making of a Community in the Moravian Mission Station of Baviaanskloof/Genadendal (South Africa)
2025
·
Jürgen May
·
Exchange
Decolonising at the margins: herri as a model for radical decolonial publishing
2025
·
Mieke Struwig
·
Continuum
PDF
Disavowal and the Perverted Mind of Apartheid
2024
·
Willemien Froneman
·
Springer eBooks
Epiphanies of Postcolonial Radiance
2024
·
Willemien Froneman
·
Springer eBooks
The Groovology of White Affect
2024
·
Willemien Froneman
·
Springer eBooks
Blackfaced Boeremusiek and the Racial Grotesque
2024
·
Willemien Froneman
·
Springer eBooks
The Riches of Embarrassment
2024
·
Willemien Froneman
·
Springer eBooks
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Works count:
28
Citation count:
152
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