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Performance Practice Review
ISSNs:
1044-1638,
2166-8205
Source type:
journal
Publisher:
Claremont Colleges Library
Alternate name:
PPR
Fully OA:
No
DOAJ:
No
OpenAlex ID:
S2764939724
Mendelssohn, Berlioz, and Wagner as Conductors: The Origins of the Ideal of "Fidelity to the Composer"
1993
·
Jose Antonio Bowen
·
Performance Practice Review
·
64
PDF
Performance Practice Versus Performance Analysis: Why Should Performers Study Performance
1996
·
José Antonio Bowen
·
Performance Practice Review
·
59
PDF
"Authenticity in Performance: Eighteenth-Century Case Studies.
1991
·
George Houle
·
Performance Practice Review
·
57
How one Learned to Ornament in Late Sixteenth-Century Italy
2008
·
Timothy J. McGee
·
Performance Practice Review
·
54
PDF
Francesco Rognoni's "Selva de varii passaggi" (1602): Fresh Details concerning Early Baroque Vocal Ornamentation
1989
·
Stewart Carter
·
Performance Practice Review
·
38
PDF
Tu ru or not Tu ru: Paired Syllables and Unequal Tonguing Patterns on Woodwinds in the Seventeenth and Eighteenth Centuries
1997
·
Bruce Haynes
·
Performance Practice Review
·
37
PDF
Performance Practice Review
2024
·
Performance Practice Review
·
32
The Expressive Pause: Punctuation, Rests, and Breathing in England, 1770-1850
1994
·
Robert Toft
·
Performance Practice Review
·
30
PDF
"Performance Practice: Music after 1600.
1991
·
George Houle
·
Performance Practice Review
·
27
Performance Practice in the Indeterminate Works of John Cage
1994
·
Judith Irene Lochhead
·
Performance Practice Review
·
23
PDF
Pedaling the Piano: A Brief Survey from the Eighteenth Century to the Present
1993
·
Sandra P. Rosenblum
·
Performance Practice Review
·
23
PDF
Richard Strauss: the Don Juan Recordings
1997
·
Raymond Holden
·
Performance Practice Review
·
22
"Ornamental" Neumes and Early Notation
1996
·
Timothy J. McGee
·
Performance Practice Review
·
19
PDF
Brahms's Pianos and the Performance of His Late Works
1989
·
Camilla Cai
·
Performance Practice Review
·
16
PDF
Consequentialism about Historical Authenticity
2008
·
Aron Edidin
·
Performance Practice Review
·
15
PDF
The expressive pause: punctuation, rests, and breathing in England 1770-1850
1994
·
Robert Toft
·
Performance Practice Review
·
15
PDF
The Uses of Rubato in Music, Eighteenth to Twentieth Centuries
1994
·
Sandra P. Rosenblum
·
Performance Practice Review
·
12
PDF
Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentiety-Century Violinists
2009
·
Dorottya Fabian
, Eitan Ornoy
·
Performance Practice Review
·
11
"Stolen Time: The History of Tempo Rubato." By Richard Hudson.
1996
·
Barton Hudson
·
Performance Practice Review
·
10
PDF
Some Observations Concerning Baroque and Modern Vibrato
1992
·
Frederick Kent Gable
·
Performance Practice Review
·
10
PDF
Improvisation in Sixteenth-Century Italy: Lessons from Rhetoric and Jazz
2009
·
John Bass
·
Performance Practice Review
·
9
The Antebellum "Piano Girl" in the American South
2008
·
Candace Bailey
·
Performance Practice Review
·
9
The Vibrato Controversy
1991
·
Frederick Neumann
·
Performance Practice Review
·
9
PDF
The Baroque Cello and Its Performance
1996
·
Marc Vanscheeuwijck
·
Performance Practice Review
·
8
PDF
The "Not-so-precisely Measured" Music of the Middle Ages
1988
·
Hendrik van der Werf
·
Performance Practice Review
·
8
PDF
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Works count:
318
Citation count:
770
H-index:
15
I10-index:
20
2yr mean citedness:
10.67
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