Paintings, Publics, and Protocols: the early paintings from Papunya
Year: 2014
Type: article
Abstract: I am taking the occasion of the musée du quai Branly’s very recent exhibition of early Papunya paintings to talk today about the complex epistemological and political issues instantiated in the history of Papunya painting, raised by the contact between distinctive regimes of knowledge and value. It is partly a personal history and partly a story that appropriately enough, cannot be extricated from the web of relationships that define the representation and contemporary production of Aborigin...
Author: Fred Myers
Institution: New York University
Language: French
Subfield: Anthropology
Field: Social Sciences
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W114233323