Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie ( c. 1641)
Year: 2006
Type: article
Abstract: How did early modern actors convey meaning on stage without speaking? A few plays of the Caroline period developed an extraordinary taste for non-verbal communication by costume, movements, stage design and the like. Drawing upon 'The Varietie'(c.1641), a comedy written by William Cavendish and James Shirley, this essay explores the impact of seventeenth-century fashion, dancing practice, and the conventions of court masques on Caroline private theatre.
Source: The Seventeenth Century
Author: BARBARA RAVELHOFER
Institution: Durham University
Language: English
Subfield: Classics
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W1490337651
