Year: 1996
Type: article
Abstract: This essay explores presentation of identity and debates about curatorial practice in a recent touring exhibition of Polynesian art. It emphasizes the fluid nature of the exhibition as a public phenomenon that is aptly captured by the title, Bottled Ocean. It notes and reflects on the influence of the author’s participation and commentary on some aspects of the exhibition’s rhetoric.
Author: Nicholas Thomas
Language: English
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W149392659
