Year: 2015
Type: article
Abstract: In recent years, an increasing number of film festivals have engaged closely with film production and distribution.This engagement has been realized via a variety of festival-specific models, such as talent campuses, pitching sessions, project funding, distribution labels, streaming platforms, and so on.Thus, the film festival (which, as I have argued elsewhere, has essentially been an exhibition vehicle) is transforming from primarily a display site of completed films into an important factor that often triggers the very cycle of a film's conception, financing, development, production, and circulation.This short essay outlines the changing status of the film festival as a cluster of creativity and commerce and as a node in more general transnational infrastructures.It comments on the status of scholarship and sets out priorities for research.
Source: Media Industries
Author: Dina Iordanova
Institution: University of St Andrews
Language: English
Topic: Cinema and Media Studies
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W1551752409