Year: 2012
Type: dissertation
Abstract: This thesis is intended to render an outline of the aesthetic project Hölderlin sought to carry out between 1793 and 1797.His aesthetic project, which in a number of letters he addressed as an attempt to find the principle enlightening such oppositions of spirit as nature and freedom, subject and object, self and not-self, is based upon the philosophy-poetry relationship as established by Kant in the Kritik der Urteilskraft, especially in the section dealing with aesthetic ideas, productive imagination, and genius, as well as the one Schiller establishes in Über Anmut und Würde to the extent he succeeds in founding an objective Aesthetics upon Kant's efforts to this effect.However, it was not before he got in touch with Fichte´s Wissenschaftslehre philosophy that Hölderlin realizes the entire potential of this philosophy-poetry relationship.After all, throughout his work Fichte assigns creative imagination a more important role than Kant does, as imagination, for the former, is the origin of the separations residing in the self.Hölderlin's failure to perform his announced Aesthetics in the form of theory, however, did not prevent him from accomplishing it poetically in his novel Hyperion or the Hermit in Greece.Just as the philosopher of the Wissenschaftslehre reduces unto imagination the oppositions in the self using the reciprocal determination method, Hyperion is also capable of unifying the oppositions pertaining to the eccentric path as it leads from nature into the realm of freedom and poetry.
Author: Ulisses Razzante Vaccari
Institution: Universidade de São Paulo
Language: Portuguese
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: gold
OpenAlex ID: W1933768431