Relación de la obra del pintor Antonio López con la fotografía. Métodos de un maestro rechazado como profesor
Year: 2014
Type: article
Abstract: In 1966 the artist Antonio Lopez was rejected for the chair in “Preparatorio de colorido” (Preparatory Colouring) by the San Fernando School of Fine Arts where he himself presented his work Nevera de hielo (Ice Box). After 5 years as a “stand in” for this post he left the Institution. This article analyzes the circumstances and proof of a decade where there appears to be evidence of a definite change in his work, more toward Realism, uncomfortable in a system that maintained with difficulty the traditional academic model copy, and incompatible with, in those years was imposed by Spain. At the same time his relation with photography conditioned by the theoretical thoughts of the artist, and his work methods also are analyzed in this article.
Source: Arte individuo y sociedad
Authors: Lino Cabezas-Gelabert, Joan Carles Oliver
Institutions: Universitat de Barcelona, Universitat de les Illes Balears
Language: Spanish
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W1980409886