Year: 2007
Type: article
Abstract: Pre-classical theatre was unified by its divine destination; the unity of parts in classicism depends on the spectator, namely the King. Molière’s comedies show that its elements, violence, comedy, and the love interest, are linked in the same way as the Real, the Symbolic, and the Imaginary in Lacan’s topology
Source: Littérature
Author: Llewellyn Brown
Institution: Université Paris Nanterre
Language: French
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W1981750437