Spectator strategies, satire and European identity in the cinema of Roy Andersson via the paintings of Pieter Bruegel the Elder
Year: 2013
Type: article
Source: Studies in European Cinema
Author: Christopher Mildren
Institution: La Trobe University
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: closed
OpenAlex ID: W1981990590