Year: 2013
Type: article
Abstract: This paper responds to Philip Tagg’s discussion of the state of popular music studies since the formation of the International Association for the Study of Popular Music (Tagg, 2011) by foregrounding issues concerning the current position of popular music studies, gender and sexualities. It provides both a personal insight into teaching practice and publications, and explores the current position of women in the music industry.
Source: IASPM Journal
Author: Sheila Whiteley
Institution: University of Salford
Language: English
Topic: Music History and Culture
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
SDG: Gender equality
Open Access status: diamond
OpenAlex ID: W1999010609