Scratching Out Authorship: Representations of the Electronic Music DJ at the Turn of the 21st Century
Year: 2006
Type: article
Abstract: This article argues that the DJ is represented by the electronic music industry as the creative author of his or her music. I examine commercial discourse aimed at the consumer of DJ-mixed music, such as rave flyers and electronic music CDs, as well as discourse aimed at the DJ-consumer, such as trade magazines and gear catalogues. In all of this discourse, the DJ is presented as the culmination of creative musical technology, a musical author-god who carries on a long tradition of patriarchal authorship. In light of these observations, I argue that the DJ's authorship comes not from what he or she does but how those practices get represented in a capitalist system. Further, I argue that the industry instilled the DJ with authorship to fill a vacuum left by the increasing anonymity of dance music producers. The DJ becomes a tool for generating social capital within a music scene, and this social capital is turned into monetary capital via the sale of DJ-related commodities.
Source: Popular Communication
Author: Bill D. Herman
Language: English
Topic: Music History and Culture
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
Funder: Colorado State University
OpenAlex ID: W2001057308