Year: 2006
Type: article
Abstract: The publishing fate of Louis Marin’s Opacité de la peinture is an exemplary case in point. It was published in 1989 by a promising if short-lived publisher, but remained impossible to find for many years. The articles brought together under this title represent a high point in the theoretical thinking of their author, adapting to objects that are central to art history: some of the most famous of Italian Renaissance fresco cycles, a corpus of Tuscan Annunciations, methods of thought and conc...
Source: Critique d’art
Author: Bruno Nassim Aboudrar
Language: French
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W2017766678