Year: 2002
Type: article
Abstract: If modernity were not up to the task, the spirit of contract, protocol and negotiation which permeates contemporary artwork would render indispensable the reflection and historical reference that are suggested in the two titles whose subjects are here juxtaposed. Collectively, the authors of Reproductibilité et irreproductibilité de l’œuvre d’art have explored the issue of reproducibility regarded, needless to say, based on a theoretical legacy deeply marked by Benjamin, but also considered ...
Source: Critique d’art
Author: Christophe Domino
Language: French
Topic: Art, Politics, and Modernism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W2025650308