Year: 2006
Type: article
Abstract: Through an examination of the production and reception of Bill Douglas's "autobiographical trilogy," and a comparison with Douglas's written description of his childhood, this article explores the problems of discussing film as autobiography, and differences between literary autobiography and autobiographical film, but also how the autobiographical remains central to our understanding of these particular films.
Source: Biography
Author: Guy Barefoot
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W2050201237