Year: 2009
Type: article
Abstract: This essay focuses on Valéria Costa Pinto’s photographic “perceptos” in order to discuss how certain problems addressed by the avant-garde photographers of the 1920’s are appropriated by contemporary artists. The cinematic properties of the “perceptos” allow us to suggest na ur-topic dimension of photography – one that invites us to experience the presence and the origin of the places.
Author: Mauricio Lissovsky
Institution: Universidade Federal do Rio de Janeiro
Language: Portuguese
Topic: Photographic and Visual Arts
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W2051544058