Year: 2011
Type: article
Abstract: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Source: The Eagle Feather
Author: Julie Thompson
Institution: University of North Texas
Language: English
Subfield: Conservation
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W2064936268