Year: 2005
Type: conference-paper
Abstract: This paper examines the dynamics that music subdisciplines bring to record production and seeks to clarify meaning for the recordings as virtual constructs of subdisciplinary encounters. This is detailed in a three stage investigation and subsequently argues for a collaborative approach to achieving increased understanding of the simultaneous action of several levels of musical reality, towards a trans-subdisciplinary ecology of music-making.
Source: Griffith Research Online
Author: Paul Draper
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2106209880