Year: 2014
Type: dissertation
Abstract: The past few decades have seen a number of attempts to take musical experience seriously. We now speak of embodiment, temporality, phenomenology, gesture, and performance. While these progressive programs have doubtless begun to move music theory and analysis away from an entrenched score-based paradigm, a deep textualism persists in even the more forward-looking approaches of the discipline.
Author: Andrew Moses Friedman
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2107690436