Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions.
Year: 1996
Type: book-review
Source: Shakespeare Quarterly
DOI: 10.2307/2871112
Authors: Frances E. Dolan, Annette Drew-Bear
Language: English
Subfield: Classics
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: closed
OpenAlex ID: W2164492265