Thinking, Scripting, and Performing: Constructing and Playing the Racial Synecdoche in the Antebellum North
Year: 2007
Type: dissertation
Abstract: In my thesis, I argue that between the years of 1830-1842, free African Americans scripted and performed what I term, following historian Patrick Rael, the racial synecdoche. This "character" was a black performative identity that people of color should play on the public stage. The performance team--or those who scripted and performed this new black identity--believed that the performance of the synecdoche would grant free people of color eligibility to perform full civic participation in America's nascent democracy. In this study, I consider the national black conventions of the 1830s as ritualistic sites and as the primary loci where that self-scripting process took place. I characterize this thesis as an intellectual history and hope that it contributes to the vital and ever-growing bodies of African American history and African American theatre and performance history, as well as add contour and complexity to the well-charted Jacksonian period.
Author: Douglas Anthony Jones
Language: English
Subfield: Sociology and Political Science
Field: Social Sciences
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2164686966