The agency of dead musicians
Year: 2015
Type: article
Abstract: A long-standing theme in the sociology of the arts is the sacralisation of art in modern society, but an underexplored aspect of this process is how death shapes artistic creation and appreciation. This paper approaches this issue through an examination of the cult of the dead composer in classical music. After considering the cultural logic and effect of musical sainthood, I discuss how composers are venerated; commemorative rites, such as anniversary programming, provide a phenomenological connection between the living and the dead, while physical remains and relic-like objects carry messages from beyond the grave that can be usurped or amplified by political projects. By comparing the fetishisation of the dead diva with the composer cult, I explain why performers who continue to be admired posthumously still do not achieve the same exalted status as composers.
Source: Contemporary Social Science
Author: Lisa McCormick
Institution: University of Edinburgh
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2225898913