Year: 2017
Type: article
Abstract: This article studies the phenomenon of ghosting in religious performance through an examination of a famous Yoruba actress, Iyabo Ogunsola (Iya Efunsetan). Ogunsola once played the role of a 19th century historical character, Efunsetan Aniwura, on stage at a remarkable period of Yoruba history thus embedding her life and career trajectory with that of the culture. Iya Efunsetan has currently transited to an Aladura church leader and a gospel performer. Building on works by theatre/performance scholars who have studied how previously staged performances haunt the re-enactment of performances in another place, time, and context, I examine the religious aspect of the phenomenon of ghosting as it relates to Ase, Yoruba concept of metaphysical force. While Iya Efunsetan cannot shake off the ghosts of her theatrical past, I note that she mobilizes the Ase of her embodied theatrical history fame to authenticate herself as a religious leader.
Source: Religion and Gender
DOI: 10.18352/rg.10162
Author: Abimbola A. Adelakun
Institution: The University of Texas at Austin
Language: English
Topic: Arts and Performance Studies
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: hybrid
OpenAlex ID: W2789848822