Assembled Worlds: Intertextuality and Sincerity in the Films of Wes Anderson
Year: 2018
Type: article
DOI: 10.7560/tsll60203
Author: Kim Wilkins
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: closed
OpenAlex ID: W2805455512