Dancer, Actor, Marionette: The Modernist Performer
Year: 2019
Type: article
Abstract: For years I have been staring at Edward Gordon Craig’s designs for the famous (or infamous) Craig/Stanislavski Moscow Hamlet (1909–11) alongside Edmund Dulac’s designs for W. B. Yeats’s equally celebrated production of At the Hawk’s Well (1916), trying to find some connection between them. Which came first? What acted as inspiration for both designers, and were they aware of
Source: Modernism/Modernity Print Plus
DOI: 10.26597/mod.0128
Author: Olga Taxidou
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2912671541