Year: 1994
Type: article
Abstract: The author considers the problem of the only film by Eleonora Duse, Cenere, and of its semi-failure. The author perceives a method of working in the cinema that was sensed by Duse but did not totally mature; it was based on the composition of expressive fragments – neither narrative nor mimetic –, a montage of culminating points held together through the continuity of music rather than by the coherence of the images.
Source: Teatro e Storia
Author: Mirella Schino
Language: Italian
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W2940909084