Year: 2019
Type: article
Abstract: Since the early 2000s, the relation between artistic and cultural institutions and the activities associated with performance has been greatly reconfigured. Departments in contemporary art museums, collections, specialized curators, and an ever-growing place in biennials and fairs are all now involved in this practice. Not only has performance as a genre and medium been given unprecedented institutional recognition, but it is also the art world itself that has been placed in “performance mod...
Source: Critique d’art
Author: David Zerbib
Language: English
Topic: Art, Politics, and Modernism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
Funder: Ministry of Minority Affairs
OpenAlex ID: W2947379571