Year: 2019
Type: article
Abstract: Dzień dobry, mistrzu (1957) by Armand Lanoux, translated by Hanna Szumańska- -Grossowa, is, for the Polish reader, a challenging biography. Owing to a few but significant changes, certain complex ambiguities, later on analysed in the paper, have been introduced. In the course of the analysis it turned out that these complexities were purposeful measures undertaken by the translator so as to show the performative aspect both of play the biography of Emil Zola and its Polish translation.
Source: Rocznik Komparatystyczny
Author: Tomasz Nierychły
Language: Polish
Subfield: Language and Linguistics
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W2947647765