Year: 2019
Type: article
Abstract: This paper aims to photographically reimagine the representation of hazardous sites. It examines disregarded worlds of mundane yet politically vital photography: procedural representations made and circulated in hazardous site interventions. Scholarship which examines the visualisations of hazardous sites remains largely concerned with professional photography and sublime aesthetic registers. This photo essay departs from this epistemological habit and examines the visualities and materialities of technical representations enacted in remediation and research processes. Drawing on multi-sited ethnographic research which follows the disposal of a chemical stockpile in Tanzania over three decades, the paper approaches photographs through the practices in which they are made and circulated. It occupies more-than-representational register that works to de-sensationalise hazardous site photography. These “routine exposures” unsettle naturalised ways of seeing contamination; they demonstrate how hazardous sites are made (in)visible and enable more situated understandings of the power of photography
Source: GeoHumanities
Author: Angeliki Balayannis
Institution: Brunel University of London
Language: English
Subfield: History
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W2962759397