Year: 2019
Type: article
Abstract: A great deal of what any of us know and feel is elusive, and much of what we ‘know’ is at the periphery of consciousness. Sometimes this (often subversive) knowledge or feeling iscomposed of nearly inaccessiblememory material; sometimes it consists of bodily knowledge still being formed into mental conceptsandsearchingfor the language in which it may be expressed. This knowledge is often situated on the outskirts of our usual modes of apprehensionand–to the extent that we access it at all–is experienced as an intuition, intimation, mood, hint, inkling, suggestionor glimpse. In the right circumstances, writers are able to bring such knowledge into their creative compositions–and, indeed, there is occasionally a sense that art isthe medium that finally permits itsfull expression. As a way of exploringsome of our ’peripheral’knowledge through an intuitive creative process, in early 2018 we embarked on a collaborative project to write prose poems (which we exchanged as textmessages) exploring the idea of perimeters. To date we have produced a series of prose poems for this ongoing collaborative project
Source: TEXT
DOI: 10.52086/001c.23576
Authors: Paul Hetherington, Cassandra Atherton
Institutions: University of Canberra, Deakin University
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W3004629930