Year: 2012
Type: article
Abstract: This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.
Author: Jelena Jovanović
Language: English
Subfield: Music
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W3101664084
