Year: 2021
Type: article
Abstract: Since the 1970s, gender studies have stated that the differences between men and women are cultural rather than biological; but the recent return of Carla Lonzi (1931-1982) on the Italian and international art scene, for its part, has unfolded in the name of deculturalisation, a term as elusive as it is charged with ambiguous and radical fascination. Feminism, separatism and consciousness-raising were the paths Carla Lonzi chose for herself from 1970 onwards, when she left her brilliant care...
Source: Critique d’art
Author: Maria Antonietta Trasforini
Language: English
Topic: Art, Politics, and Modernism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
SDG: Gender equality
Open Access status: bronze
OpenAlex ID: W3166744600