‘Two faces, each of a confused countenance’: Coleridge, De Quincey, and Contests of Authority
Year: 2021
Type: article
Abstract: Thomas De Quincey exploits his rivalry with Samuel Taylor Coleridge to structure many of the key features of his most famous work, ‘Confessions of an English Opium-Eater’ (1821). De Quincey's idolization of Coleridge began early and survived the anger and disappointment he felt after the collapse of their friendship and his discovery of Coleridge's intellectual duplicity. In ‘Confessions’, De Quincey's accounts of himself as a scholar of Greek literature, Ricardian economics, and Kantean philosophy are all galvanized by his knowledge that Coleridge too has worked in these areas. As opium addicts, De Quincey's experience of the drug overlaps with Coleridge's in a number of ways, while De Quincey differs from Coleridge – at least on the surface – in his claims about both the moral implications of drugged euphoria and the resolve needed to defeat addiction.
Source: Romanticism
Author: Robert Morrison
Institution: Bath Spa University
Language: English
Subfield: Literature and Literary Theory
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W3202482724