Year: 1999
Type: article
Abstract: I attempt, through much of my work, to animate all things - even so-called ‘inanimate’ objects - with the spirit of man. I have come, by degrees, to realise that this extremely animistic projection rises, ultimately, from my profound fear and disquiet over the accelarating mechanisation of man's life… The creative photographer imparts humanity to the inhuman world around him
Source: Index on Censorship
Author: Colin Tudge
Institution: Oxford University Press (United Kingdom)
Language: English
Topic: Photographic and Visual Arts
Subfield: Museology
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: bronze
OpenAlex ID: W4236911079