Year: 2010
Type: article
Abstract: This paper gives a retrospective of my forty-year career as a relief artist, much of it for the National Geographic Society. I discuss the manual development of relief art created by pencil, airbrush, and acrylic painting. The paper ends with digital relief shading, a production method that complements earlier manual methods.
Source: Cartographic Perspectives
DOI: 10.14714/cp67.111
Author: Tibor Toth
Language: English
Subfield: Geography, Planning and Development
Field: Social Sciences
Domain: Social Sciences
Open Access status: diamond
OpenAlex ID: W4247130656