Year: 2004
Type: conference-paper
Abstract: In this paper, we show to what extent traditional theatre staging is based on a formal approach of similarity using a dramaturgical ontology and instanciation variations. Drawing our inspiration from the opposite approach through interactive data mining, we hereby account for theatre and opera researches using computers as actor partners to escape a priori specification. 1.
Source: HAL
Authors: Bonardi, Alain, Rousseaux, Francis
Language: English
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: green
OpenAlex ID: W4295226179
