Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy
Year: 2022
Type: article
Abstract: This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). Across all three movies, it is asserted that Batman’s values correspond to modernity specifically in terms of his self-reflexive construction of the hero persona and his relationship with Gotham city. Furthermore, the way in which the villains confront Batman in a deconstructionist manner corresponds to the postmodern critique of modern values and constructs. What continues to make Batman a hero are precisely said to be his efforts and belief in modern values, both in his personal and social construction, despite facing endless accusations throughout the movies.
Source: SAGE Open
Authors: Göral Erinç Yılmaz, Serkan Fundalar
Institutions: Cyprus International University, Near East University
Language: English
Topic: Cinema History and Criticism
Subfield: Visual Arts and Performing Arts
Field: Arts and Humanities
Domain: Social Sciences
Open Access status: gold
Estimated APC paid: $1,200
OpenAlex ID: W4302293770