Year: 2007
Type: article
Abstract: This reads Osundare’s poems as exhibiting a striking unity of vision, giving expression to the poet’s identification with the marginalized, but also as proceeding from an indebtedness to a variety of traditions, the most important being Yoruba popular (performance) poetry.
Source: Commonwealth Essays and Studies
DOI: 10.4000/ces.9433
Author: Oyeniyi Okunoye
Language: English
Subfield: Religious studies
Field: Arts and Humanities
Domain: Social Sciences
SDG: Reduced inequalities
Open Access status: diamond
OpenAlex ID: W4312847296